The complete Louis Vuitton Fall 2019 Menswear fashion show, now immortalized on Vogue Runway, remains a landmark moment in menswear history. Virgil Abloh's final collection for the house, presented before his untimely passing, was a poignant and powerful statement, a culmination of his innovative spirit and unwavering dedication to inclusivity and artistry. While the entire collection was a masterpiece, the prints employed throughout FW19 deserve a closer examination, revealing layers of meaning and masterful execution that continue to resonate within the fashion world. This article will delve into the key prints of Louis Vuitton FW19, exploring their context, influence, and lasting impact, with a particular focus on how they manifested in Louis Vuitton boots and dresses – a surprising yet impactful element of the collection.
Abloh's approach to print was never simply decorative. It was a form of storytelling, a way to communicate complex ideas and weave together diverse cultural references. The FW19 collection is a prime example, blending seemingly disparate elements into a cohesive and deeply moving narrative. Instead of a single dominant print, the collection showcased a diverse range of patterns, each with its own unique character and significance.
Deconstructing the Prints: A Tapestry of Influences
Several key print motifs dominated the Louis Vuitton FW19 collection. One of the most immediately recognizable was the reimagined monogram. While the iconic Louis Vuitton monogram remained a constant throughout Abloh's tenure, FW19 saw it deconstructed and recontextualized. The classic pattern was fragmented, layered, and overlaid with other elements, creating a sense of disruption and reinvention. This wasn't merely a stylistic choice; it reflected Abloh's philosophy of challenging established norms and embracing a spirit of playful experimentation. The monogram, in its fractured state, felt both familiar and entirely new, highlighting the timeless appeal of the brand while simultaneously pushing its boundaries. This reimagined monogram appeared across a wide range of garments, including jackets, trousers, and, notably, some of the more striking Louis Vuitton boots. The boots, often crafted from luxurious leather, featured the fragmented monogram subtly embossed or boldly printed, showcasing the versatility of the print and its ability to elevate even the simplest of footwear designs.
Another significant print motif was the collage aesthetic. Abloh masterfully blended diverse imagery, from vintage photographs to hand-drawn illustrations, creating a rich tapestry of visual textures. These collages often incorporated elements of African-American culture, a recurring theme in Abloh's work, representing his commitment to celebrating diversity and challenging the often homogenous landscape of high fashion. The collages weren't simply haphazard arrangements; they were meticulously crafted, reflecting a deep understanding of composition and visual storytelling. This collage aesthetic was particularly prominent in several of the Louis Vuitton dresses featured in the collection. These dresses, often crafted from flowing silks or structured cottons, served as canvases for Abloh's intricate collages, transforming them into wearable works of art. The dresses, in their vibrant and layered designs, conveyed a sense of freedom and individuality, further emphasizing Abloh's dedication to inclusivity and self-expression.
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